Saturday, February 25, 2017

BOSS AD-2 Acoustic Preamp

Price List Rp.1.830.000
BOSS AD-2 Acoustic Preamp
Natural Acoustic Sound Everywhere You Play
With the AD-2 Acoustic Preamp, acoustic-electric guitarists can now experience natural, studio-quality sound while performing on any stage. Equipped with an advanced BOSS sound engine, this compact pedal packs sophisticated processing power that belies its small size and simple, intuitive interface. Acoustic Resonance reproduces the complex resonance characteristics of your unplugged tone, while Ambience provides pro-level reverberation perfectly optimized for acoustic guitar. The AD-2 also features essential stage tools such as a notch filter for feedback control, a balanced DI out for direct connection to a PA, and a convenient mute function for tuning and switching guitars.
  • Acoustic-electric guitar preamp with advanced BOSS sound processing
  • Sophisticated under-the-hood processing with multiple interlocked parameters, accessible with simple stompbox controls
  • Acoustic Resonance reproduces the complex resonance characteristics of an unplugged acoustic
  • Ambience knob provides wide-ranging, studio-quality reverb optimized for acoustic guitar
  • Notch filter for instant feedback reduction
  • Normal output for an acoustic guitar amp and balanced DI output for direct PA connection
  • Sound mute function for switching guitars and tuning on stage

Bring Your Acoustic’s Natural Sound to the Stage
The tone of an acoustic guitar is created by the complex interaction of sounds from its body, top, strings, and other elements. And as you play with varying techniques, dynamics, and more, this interaction constantly evolves to create the rich, woody sound we love. Unfortunately, the standard undersaddle piezo pickups installed on most stage guitars simply can’t reproduce this resonant complexity. The AD-2’s Acoustic Resonance effect solves this issue by analyzing the input signal as you play, and then employing advanced processing to beautifully recreate your guitar’s naturally evolving tone. Twisting the one-knob control adjusts multiple parameters inside the AD-2 to achieve the perfect tonal balance for any style, from delicate fingerpicking to intense strumming.

Enhance Your Guitar with Pro-Quality Reverb

After using Acoustic Resonance to bring back your guitar’s natural, intimate tone, adding some further depth and dimension with a little reverb makes it that much better. With the AD-2’s Ambience effect, you can dial in studio-quality reverb for any performing environment. Unlike standard reverbs that can cloud an acoustic guitar’s sound, the optimized BOSS algorithms in the AD-2 produce lush, deep ambience that perfectly complements your instrument’s voice. Like the Acoustic Resonance effect, a simple one-knob control tweaks many interlocked parameters under the hood, giving you access to a wide range of detailed reverb sounds.

DI Output and Feedback Killer
The AD-2 features two independent outputs for performance flexibility. Connect the Output jack to your acoustic guitar amp or stage monitor, and use the Line Out to send a balanced signal direct to the PA mixer. It’s even possible to turn off the Ambience effect in the Line Out signal, giving the PA engineer the flexibility to add their own reverb at the board. And if you encounter any low-frequency feedback issues on stage, the AD-2’s notch filter has you covered. As soon as you hear that familiar rumble, just turn the Notch knob until it goes away. It’s that easy!
Specification:
Nominal Input Level
-20 dBu
Input Impedance
10 M ohms
Nominal Output Level
OUTPUT jack: -20 dBu
LINE OUT jack: -20 dBu
Output Impedance
OUTPUT jack: 1 k ohm
LINE OUT jack: 600 ohms
Recommended Load Impedance
OUTPUT jack: 10 k ohms or greater
LINE OUT jack: 600 ohms or greater
Bypass
Buffered bypass
Controls
Pedal switch
ACOUSTIC RESONANCE knob
AMBIENCE knob
NOTCH knob
Indicator
CHECK indicator (Serves also as battery check indicator)
Connectors
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
LINE OUT jack: 1/4-inch TRS phone type
DC IN jack
Power Supply
Alkaline battery (9V, 6LR61) or Carbon-zinc battery (9V, 6F22)
AC adaptor (sold separately)
Current Draw
55 mA
Expected battery life under continuous use
Alkaline: Approx. 6 hours
* These figures will vary depending on the actual conditions of use.
Accessories
Owner's manual
Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9V, 6LR61)
Option (sold separately)
AC adaptor (PSA series)
SIZE AND WEIGHT
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight (including battery)
450 g
1 lb
* 0 dBu = 0.775 Vrms

Thursday, February 23, 2017

Roland STUDIO-CAPTURE UA-1610 USB 2.0 Audio Interface

Price List Rp.10.995.000
Roland STUDIO-CAPTURE UA-1610 USB 2.0 Audio Interface
Flagship 16x10 Interface with 12 Premium Mic Preamps
With the new STUDIO-CAPTURE, Roland once again raises the performance standard for computer-based audio production. The latest addition to the acclaimed CAPTURE family boasts 12 premium-grade mic preamps, an industry first for a compact USB audio interface. A total of 16 audio inputs, 10 audio outputs, and MIDI I/O offers massive connectivity for pro-level setups, all in a single, tabletop unit that fits easily into a travel bag. Other top-flight features include 24-bit/192 kHz audio quality, comprehensive front-panel metering, XLR monitor outputs with dedicated level control, dual headphone outputs, rock-solid drivers with VS STREAMING technology, and much more. Durable, portable, and ready to take on large-scale recording projects both in the studio and on the road, STUDIO-CAPTURE stands head and shoulders above all other USB audio interfaces on the market.

  • High-performance USB 2.0 audio interface for studio and mobile production
  • 16 audio inputs and 10 audio outputs, including 12 premium mic preamps (VS PREAMP)
  • VS STREAMING delivers ultra-stable, low-latency driver performance for Windows and Mac
  • AUTO-SENS intelligently sets optimal input levels for all preamps
  • Individual input/output meters and input channel buttons
  • Four independent, software-controlled monitor mixes
  • XLR monitor out, direct monitor, and dual headphone outputs with independent front-panel level knobs
  • Coaxial digital I/O; MIDI I/O with FPT
  • Expand your I/O by using two STUDIO-CAPTUREs together, both controlled with a single driver
  • 2U rackmount ears included

Top Quality For Modern Audio Production
Combining pro-level audio performance, abundant I/O, and a versatile mobile design, STUDIO-CAPTURE is a powerful solution for today’s musicians, composers, and recording engineers. It delivers quality equivalent to dedicated rackmount audio interfaces costing much more, all in a compact, go-everywhere package that’s equally suited for traveling production, tabletop use in home studios, or permanent installation in commercial studios with the included rack ears. The 16 audio inputs, 12 mic preamps, and flexible monitor mixing allow you to track most bands without adding any additional hardware, or simultaneously connect multiple synthesizers and other devices in large-scale composing setups. To take on really big projects, you can seamlessly expand your I/O to 32 inputs and 24 mic preamps simply by adding a second STUDIO-CAPTURE.

12 Premium Mic PreAmps
Among its many standout features, STUDIO-CAPTURE offers 12 digitally controlled mic preamps (VS PREAMPS), built with premium-grade components for exceptional low-noise performance, high headroom, and transparent sound quality. 12 XLR/TRS combo inputs are provided for the preamps, with four inputs conveniently located on the front panel for quick and easy access. Available on each channel is independent phantom power, a low-cut filter, phase invert, and digital compression, accessible via the included software control panel.


Generous And Flexible I/O
STUDIO-CAPTURE is equipped with a total of 16 input channels and 10 output channels. With the versatile, space-saving combo jacks, each of the 12 XLR mic inputs can alternately be used as a balanced/unbalanced ¼-inch line input, while inputs 13-16 have their own dedicated rear-panel TRS jacks. Inputs 1 and 2 can be switched to Hi-Z operation for connecting guitars and basses directly, while inputs 15/16 can be assigned to the coaxial digital input. Eight analog outputs are provided on TRS jacks, with the main stereo outputs mirrored on XLR jacks. Two additional outputs (9/10) are available via a coaxial digital jack. STUDIO-CAPTURE also features MIDI I/O, with Roland’s proprietary FPT processing for superior high-speed performance.

High-Performance VS Streaming Technology
STUDIO-CAPTURE offers high-resolution, 24-bit recording at rates up to 192 kHz, with incredible stability and industry-leading low-latency USB performance provided by Roland’s proprietary VS STREAMING technology. All current Mac and PC DAW platforms are supported through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers. Thanks to VS STREAMING, you can expand your I/O by using two STUDIO-CAPTUREs on the same USB bus without compromising stability or audio quality.
AUTO-SENS: PERFECT LEVELS AT THE TOUCH OF A BUTTON

Unique to Roland’s CAPTURE family is the innovative AUTO-SENS feature, which makes it fast and easy to set perfect input levels every time. Just press the dedicated front-panel button, play your connected instruments, and STUDIO-CAPTURE automatically sets the ideal recording level for each input in seconds. Useful for pros and beginners alike, AUTO-SENS is great for quick, fail-safe audio capture when recording a fully mic’d drum kit or an entire band.

Comprehensive Monitoring And Metering
Bright, responsive LED meters let you keep an eye on levels for individual input and output channels and the MONITOR OUT, while dedicated input channel buttons and other intuitive controls make it easy to navigate the built-in display. The MONITOR OUT section features a dedicated LEVEL knob for control room volume, plus a DIRECT MONITOR knob for listening to selected input signals. Two headphone jacks—each with their own level knob—allow a musician and engineer to monitor at the same time without additional hardware.

Flexible Monitor Mixing With Effects
Beyond traditional audio interfacing, STUDIO-CAPTURE offers four independent Direct Mixers for zero-latency monitoring, operated via the software control panel. Powered by STUDIO-CAPTURE’s internal DSP, each mix can be routed to any of the outputs, perfect for sending custom monitor mixes to headphones, speakers, or recording devices. Mix configurations can be saved for later use, providing quick setups for many different applications. A high-quality reverb processor is available for monitoring, allowing singers and instrumentalists to record dry tracks while listening to great-sounding ambience effects.
Specification:
Number of Audio Record/Playback Channels
Sampling Rate: 96 kHz, 48 kHz, 44.1 kHz
Record: 16 channels
Playback: 10 channels
Sampling Rate: 192 kHz
Record: 8 channels
Playback: 4 channels
Signal Processing
PC interface: 24 bits
AD/DA Conversion: 24 bits
Sampling Rate
AD/DA Conversion: 192 kHz, 96 kHz, 48 kHz, 44.1 kHz
DIGITAL (IN/OUT): 96 kHz, 48 kHz, 44.1 kHz
Nominal Input Level (variable)
Input 1–12 jacks (XLR type): -60 to -2 dBu
Input 1–12 jacks (1/4-inch TRS phone type): -54 to +4 dBu
Input 13–16 jacks (1/4-inch TRS phone type): -20, -10, +4 dBu
Nominal Output Level
OUTPUT 1–8 jacks: +4 dBu (balanced)
Headroom
18 dB
Output Impedance
OUTPUT 1–2 jacks (XLR type): 600 ohms (balanced)
OUTPUT 1–8 jacks (1/4-inch TRS phone type): 2k ohms (balanced)
PHONES: 47 ohms
Frequency Response
192.0 kHz: 20 Hz to 60 kHz (+0/-2 dB), 20 Hz to 90 kHz (+0/-8 dB)
96.0 kHz: 20 Hz to 40 kHz (+0/-2 dB)
48.0 kHz: 20 Hz to 22 kHz (+0/-2 dB)
44.1 kHz: 20 Hz to 20 kHz (+0/-2 dB)
Residual Noise Level
INPUT 1–2 -> OUTPUT 1–2: -90 dBu typ. (SENS = min., Input terminated with 600 ohms, IHF-A)
* Input channel fader = Unity
Dynamic Range
AD block INPUT 1–2: 105 dB typ. (SENS = min.)
DA block OUTPUT 1–2: 114 dB typ.
Display
Graphic LCD 128 x 64 dots
Connectors
INPUT 1–12 jacks *1: XLR type (balanced, phantom power *2: DC +48 V (unloaded maximum), 10 mA (maximum load))
INPUT 1–16 jacks: 1/4-inch TRS phone type (balanced)
PHONES jack: Stereo 1/4-inch phone type
OUTPUT 1–8 jacks: 1/4-inch TRS phone type (balanced)
COAXIAL IN jack: RCA phono type (conforms to IEC60958)
COAXIAL OUT jack: RCA phono type (conforms to IEC60958)
MIDI (IN, OUT) connectors
USB port: USB Type B
DC IN jack

*1 INPUT 1–2 jacks support high impedance
*2 Provided on all XLR-type input jacks. Current value is per channel. Total must not exceed 50 mA.
Interface
Hi-Speed USB
Power Supply
AC adaptor
Current Draw
1.6 A
Accessories
Owner's Manual
Block Diagram leaflet
AC adaptor
STUDIO-CAPTURE Driver CD-ROM
Rack mount angle x 2
USB cable
License agreement
SIZE AND WEIGHT
Width
284 mm
11-3/16 inches
Depth
162 mm
6-7/16 inches
Height
89 mm
3-9/16 inches
Weight
1.9 kg
4 lbs. 4 oz.
* 0 dBu = 0.775 Vrms

Roland JC-22 Jazz Chorus Guitar Amplifier

Price List Rp.6.950.000
Roland JC-22 Jazz Chorus Guitar Amplifier
Legendary Tone For Your Home
The JC-22 Jazz Chorus delivers Roland’s classic JC clean tone and famous Dimensional Space Chorus effect in a compact amp that’s perfect for playing at home. Offering the essential features of the popular JC-40 in an even more scaled-down size, this versatile stereo amp is also great for intimate performances and recording. A high-quality reverb complements the onboard chorus, and there’s also a stereo input on the front panel for plugging in modelers, multi-effects, and stereo stomps. Built to the same standards of sound and durability that the long-running amp series is noted for, the JC-22 makes legendary JC tone more accessible than ever.
  • Legendary Roland JC clean tone in an ultra-compact combo
  • Stereo 30-watt amp with two 6.5-inch speakers
  • Stereo input for true stereo sound with modelers and stereo effects pedals
  • Signature Dimensional Space Chorus effect for expansive stereo sound
  • High-quality reverb effect
  • Footswitch jacks for turning onboard effects on/off
  • Stereo effects loop for connecting external effects

Iconic JC Clean Tone and Built-In Effects

Around the world, the Roland JC series is renowned as the benchmark in clean guitar amplification. With the JC-22, you can now have that authentic tone in a light, compact package. Two independent power amps and custom-designed speakers deliver the genuine clean sound of the larger JC amps, while the trademark Dimensional Space Chorus effect fills the room with immersive 3D sound. The amp also includes a great-sounding reverb that operates in true stereo for rich, expansive tone.

The Ultimate Home Amp
For playing and practicing at home, there’s no better platform than the JC-22. Its classic clean tone is ideal for use with all types of stompbox pedals, and you can even plug in stereo effects devices for wide, inspiring sound. The JC-22 works great with stereo-capable delay, reverb, and modulation pedals, and it’s also perfectly suited for advanced gear that employs amp modeling, multi-effects, and/or synth capabilities.


Connect and Control
The JC-22’s rear panel is filled with connectivity options. There’s an effects loop for patching in mono or stereo effects, and you even have your choice of series or parallel operation. Line Out jacks give you a convenient direct feed to a mixing console or recorder, while plugging into the Headphones jack automatically mutes the onboard speakers for quiet practice sessions with phones. There’s also support for optional footswitches, which allow you to turn the JC-22’s chorus and reverb effects on/off while playing.
Specification:
Rated Power Output
30 W
Nominal Input Level
INPUT L/MONO, R jacks: -10 dBu (1 M ohm)
EFFECT RETURN L/MONO, R jacks: -10 dBu (22 k ohms)
EFFECT RETURN L/MONO only: -10 dBu (11 k ohms)
Speakers
16 cm (6.5 inches) x 2
Controls
POWER switch
BRI (Bright) Switch
VOLUME knob
TREBLE knob
MIDDLE knob
BASS knob
REVERB knob
SPEED knob
DEPTH knob
EFFECT LOOP switch
Indicator
POWER
Connectors
INPUT L/MONO, R jacks: 1/4-inch phone type
LINE OUT L/MONO, R jacks: 1/4-inch phone type
PHONES jack: Stereo 1/4-inch phone type
FOOT SWITCH (CHORUS, REVERB) jacks: 1/4-inch phone type
EFFECT LOOP SEND jack: 1/4-inch phone type
EFFECT LOOP RETURN L/MONO, R jacks: 1/4-inch phone type
AC IN jack
Power Consumption
43 W
Accessories
Owner's manual
Power cord
Options (sold separately)
Footswitch (BOSS FS-5L, FS-6, FS-7)
SIZE AND WEIGHT
Width
461 mm
18-3/16 inches
Depth
239 mm
9-7/16 inches
Height
338 mm
13-5/16 inches
Weight
12 kg
26 lbs 8 oz
* 0 dBu = 0.775 Vrms

Roland JC-Xi Interactive Analog/Digital Crossover Synthesizer

Price List Rp.8.800.000
Roland JC-Xi Interactive Analog/Digital Crossover Synthesizer
Powerful Compact Synth with On-Board Pattern Squencer And Vocal FX
Tiny, mighty, and affordable, the JD-Xi puts a true analog synth engine, Roland’s famous SuperNATURAL synth sounds, and many other creative tools under one hood. Equipped with 37 mini keys, this compact instrument delivers fat, warm analog bass and lead tones with ample controls for hands-on tweaking, plus polyphonic PCM essentials like pads, strings, brass, and more. Create impressive loops in a flash with the pattern sequencer and built-in drum kits, and explore expressive vocal textures with the gooseneck mic, Vocoder, and AutoPitch. Small in size and large in versatility, the JD-Xi is all about big sounds and big fun!
Feature:
  • Interactive crossover synthesizer with analog and digital sound engines
  • Analog synth section provides authentic lead and bass tones
  • Two digital synth sections with SuperNATURAL synth tones
  • Four-track pattern sequencer and high-quality rhythm sounds
  • Included gooseneck mic for use with built-in Vocoder and AutoPitch
  • Process sounds with four simultaneous effects (Effect 1/2, Delay, Reverb)
  • USB for audio/MIDI communication with computer music software
  • Includes a large selection of ready-to-play sounds and patterns
  • Additional sounds and patterns available for download at Roland’s Axial sound library site
Analog And Digital Synths In One Keyboard
With its unique crossover sound engine, the JD-Xi provides the best of both worlds: the warm, smooth response of classic analog, and the clarity and versatility of modern digital. The newly developed monophonic analog synth section features saw, triangle, and square waveforms with pulse-width modulation and an analog filter, plus an independent sub oscillator for low-end power. Two digital synth sections offer a wide range of high-quality SuperNATURAL synth tones, including pads, strings, electric piano, sound effects, and many others.


Gooseneck Mic For Vocoder Autopitch And Other Vocal Effects
The JD-Xi comes with a sturdy, high-quality gooseneck mic that brings even more fun to the party. Using the Vocoder, you can sing into the mic and control the tone and pitch via sounds played on the keyboard. With AutoPitch, it’s simple to achieve the exaggerated, robotic vocal sounds that are common in today’s pop and electronic music styles. There’s also a cool Auto Note function that allows you to “sing” JD-Xi synth sounds without touching the keyboard!

Build Loops With The Four-Track Pattern Sequencer
Using the intuitive pattern sequencer and large selection of onboard sounds, you’re able to create and perform sophisticated music with only the JD-Xi. The sequencer offers four separate tracks—two digital synth parts, analog synth, and drums—allowing you to build rich-sounding loops for any genre. Real-time and step recording modes are provided, along with a special TR-REC mode for programming in the style of Roland’s classic TR-series beatboxes. It’s easy to play patterns and tweak sounds as you perform, and many preset patterns are built in for jamming right out of the box.

Pro Drum Kits For High-Impact Beat
Packed with a variety of dynamic drum kits, the JD-Xi delivers quality rhythm tones to suit any groove. Included are many types of electronic and acoustic kits, and the drum instrument assignments are conveniently labeled above the keys for quick identification. You can also personalize the kits for your music by adjusting filter, envelope, pitch, and pan parameters on individual drum sounds.


Shape Sounds With Impressive effects
The JD-Xi includes four simultaneous effects sections for enhancing any sound. Effect 1 and 2 provide selectable processing options such as Bit Crusher, Slicer, and Ring Mod, while dedicated Delay and Reverb sections make it easy to envelop sounds in spacious ambience. Each effects section can be turned on/off separately for the three synth sections and drums, allowing you to shape your mix with many creative combinations.

Download Additional Sounds At Roland's AXIAL Site
Need some fresh inspiration, or maybe a sound for a particular style of music? Just visit the Axial sound library site, where you’ll find a growing selection of free new sounds and patterns for the JD-Xi. Axial features sounds for many other Roland synths as well, all created by top engineers and leading electronic music artists.
Custom Gig Bag
Featuring red and black styling to match the synth, the optional CB-JDXi gig bag is perfect for carrying the JD-Xi everywhere you go. The durable bag provides foam padding and end guards to protect the JD-Xi during everyday travel, plus handy compartments for stowing the gooseneck mic, power supply, and other accessories.
Specification:
KEYBOARD
Keyboard
37 mini keys (with velocity)
SOUND GENERATOR SECTION
Maximum Polyphony
129 voices (Digital Synth/Drum Kit: 128, Analog Synth: 1)
(Max. polyophony of the Digital Synth parts: 64 voices)
Parts
4 Parts
(Digital Synth Part: 2, Drums Part: 1, Analog Synth Part: 1)
Tones
Digital Synth Tone (SuperNATURAL Synth)
Analog Synth Tone
PCM Drum Kit
* For an analog synth tone, the oscillator, sub-oscillator, and filter sections consist of analog circuits.
Effects
Effect1 (Distortion, Fuzz, Compressor, Bit Crusher)
Effect2 (Flanger, Phaser, Ring Mod, Slicer)
Delay: 2 types
Reverb: 6 types
OTHER
Pattern Sequencer
Tracks: 4
Vocal Function
Vocoder
Auto Pitch
Auto Note
Other
Favorite, Arpeggio
Controllers
Pitch Bend/Modulation Wheel
Display
16 characters 2 line LCD
Connectors
Headphones Jack: Stereo 1/4-inch phone type
Output Jacks (L/MONO, R): 1/4-inch phone type
Input Jack (LINE(MONO) / Guitar Input): 1/4-inch phone type
MIDI Connectors (IN, OUT)
USB COMPUTER Port (USB Hi-Speed AUDIO/MIDI)
(Use a USB cable and a computer with a USB port that support Hi-Speed USB.)
DC IN Jack
MIC Input Jack: XLR type, unbalance
Power Supply
AC Adaptor
Current draw
1,000 mA
Accessories
Owner's Manual
AC Adaptor
Microphone
SIZE AND WEIGHT
Width
575 mm
22-11/16 inches
Depth
245 mm
9-11/16 inches
Height
85 mm
3-6/16 inches
Weight
2.2 kg
4 lbs. 14 oz.
* Weight is excluding AC Adaptor.
ASIO is a trademark and software of Steinberg Media Technologies GmbH.

Wednesday, February 22, 2017

SAMSON Conspiracy™ - MIDI Control Surface

Price List Rp.2.990.000
SAMSON Conspiracy™ - MIDI Control Surface
Take Command.
Samson's Conspiracy™ MIDI Control Surface lets you command your software with authority. Featuring an ultra-portable design and impressive array of customizable, tactile controls, the Conspiracy™ is the answer for producers/DJs, performers and mobile musicians looking to expand their creativity in live and studio production settings.

The core of the Conspiracy™ is made up of 25 velocity-sensitive trigger pads with aftertouch for sequencing melodies and rhythms, as well as launching clips, loops and samples for live performance. The pads also feature 3-color backlighting, which enables more comprehensive visual feedback and less reliance on a computer screen. Additional control is provided by the Conspiracy's 14 endless encoders, 10 backlit function buttons and 6 precision faders. All of these controls can be custom assigned via a backlit LCD navigated by a master encoder and four directional buttons. From here, you can program the type (Note/CC#), mode (Momentary/Toggle) and MIDI channel number of the pads, knobs, faders and buttons. Finally, the Conspiracy's X/Y touch pad is especially adept at manipulating effects or transitions within applicable software instruments.

The Conspiracy™ is an ultra-versatile controller that works equally as well in the studio and on stage. In addition to its other controls, the Conspiracy™ features a 2-channel DJ mixer section with a cross-fader and dedicated transport buttons. Its trigger pads and knobs are great for live remixing in applications such as Virtual DJ® and Traktor®, or dialing in effects and synth settings in Reason®, Ableton Live® and any of your favorite VST plug-ins. Also, 20 user presets allow you to quickly Save and Recall controller setups for different songs or recording/performance applications.

With Samson’s Conspiracy™, feel the freedom of controlling your iPad or any computer-based audio application to its full potential.
Features:
  • Ultra-portable MIDI control surface
  • 25 velocity-sensitive, 3-color backlit trigger pads with aftertouch
  • 14 endless encoders, 10 backlit function buttons, 6 precision faders
  • 2-channel DJ section with crossfader
  • Assignable X/Y touch pad for next-level control over software effects
  • Backlit LCD controlled by master encoder and four direction buttons
  • Dedicated transport controls
  • Save and Recall up to 20 presets
  • Plug-and-play operation, no driver installation required
  • Works with iPad using Apple's Lightening USB Camera Adapter or Camera Connection Kit (30-pin)
  • Mini USB port
  • USB bus powered
  • Includes mini USB to USB cable

Friday, February 17, 2017

YAMAHA TF-RACK Digital Mixer

Price LIst Rp.24.500.000
YAMAHA TF-RACK Digital Mixer
Rackmountable, Easy to Use, and It Sounds Awesome!
The Yamaha TF-Rack rackmount digital mixer is so easy to use, it's downright inspiring! Respond to the music onstage with effortless speed and freedom, by virtue of the TF-Rack's fluid TouchFlow Operation. For experienced engineers and novices alike, the TF-Rack's level of refinement is nothing short of astonishing, which makes achieving a great mix a piece of cake. And after listening to the TF-Rack's great-sounding D-Pre mic preamps, we think you'll agree that this comfortable, smooth-operating rackmount digital mixer doesn't skimp on sound quality either. Thanks to its straightforward touchscreen design and practical presets and scenes, the Yamaha TF-Rack is a truly evolved rackmount digital mixer.



TouchFlow Operation for smooth, natural control flow
Smooth and refined, the Yamaha TF-Rack's TouchFlow Operation provides you with straightforward control that never stands between you and your music. At Sweetwater, we've found that the user interface on the TF-Rack's built-in touchscreen gives you easy, direct accessibility, with a layout that promotes natural, efficient mixing. A physical Touch & Turn knob right beside the touchscreen makes extra-precision adjustments a breeze.




QuickPro presets and scenes — shortcuts to great sound
The Yamaha TF-Rack is probably one of the least intimidating digital consoles in existence, thanks to its incredibly practical presets and scenes. Working with microphone manufacturers such as Audio-Technica, Sennheiser, and Shure as well as respected engineers, Yamaha has created a range of shortcuts to great sound that are effective in all kinds of situations. If you're a novice engineer, the TF-Rack's presets will achieve a great mix without a bunch of tweaking. On the other hand, if you're an experienced engineer, you'll appreciate the significant time savings provided by having useful starting points instantly available to you. On top of that, you get two banks of scene memory (for a total of 200 scenes), that set up and instantly recall all of your settings for nearly any scenario. You even get pre-programmed scenes to get you started!




1-knob compression and EQ dial in your ideal sound
Gain, compressor, and EQ setup is child's play with the Yamaha TF-Rack. Whether you're an experienced FOH engineer or volunteering to run sound for a worship service, the TF-Rack's simplified 1-knob operation lets you adjust compressor and EQ settings with confidence. With a simple twist of a knob, you can use a compressor to bring a guitar to life, add punch to bass, tighten up a snare, and make vocals ride clearly on the mix. On top of that, the TF-Rack's finely tuned EQ quickly achieves outstanding results with minimal effort. You also get a Vocal Mode for clear, well-defined vocals, and an Intensity mode for simplified control over EQ curves. Finally, the TF-Rack's GainFinder optimizes your gain setup so you can achieve Grade-A sound quality with little effort.


D-Pre mic preamps and onboard effects deliver phenomenal quality
The mic preamps play a significant role in defining the sound of your mix, which is why the Yamaha TF-Rack is loaded with 16 of their acclaimed D-Pre mic pres. Utilizing a circuit based on a discrete inverted Darlington configuration, D-Pre preamps provide you with a clean, precise sound that captures every nuance and subtlety of your source. The pure sound of these pres ensures that you won't need to spend hours EQing just to get a barely acceptable sound, like you would with low-quality mic preamps. You also get eight powerful processors, providing you with wide-ranging sonic control. In addition to the EQ and dynamics processors on each channel, you also get 19 programs based on Yamaha's world-famous SPX processors, ranging from reverb and delay through modulation effects to multiband compression. The TF-Rack's aux buses and output channels feature both parametric and graphic EQs, making speaker optimization and feedback elimination a piece of cake.

Powerful apps that work seamlessly with your console
A trio of dedicated apps makes offline editing, wireless mixing, and personal monitor mixing a breeze. Utilizing a Mac or PC, TF Editor provides complete offline editing and setup of the Yamaha TF-Rack. You can also use TF Editor when your mixer is online. Your multi-touch screen-equipped PC can use the same gestures as the console itself, and it can also function as a remote mixing device via Wi-Fi. Load TF StageMix on your iPad to mix from anywhere. Work from the audience position, in front of floor monitors, or onstage to ensure that every inch of the venue sounds great. TF MonitorMix works with your iOS device, allowing up to 10 musicians to create their own personal monitor mix.

Versatile connectivity makes for an infinitely useful console

The Yamaha TF-Rack is packed with 16 XLR/TRS combo inputs, 16 line outputs, and USB connectivity for PC multichannel playback and recording. Load an NY64-D digital interface card (sold separately) into the TF-Rack's expansion slot and add up to three Tio1608-D I/O racks (also sold separately) via Dante for a total of 64 inputs and 40 outputs.

Yamaha TF-Rack Rackmount Digital Mixer Features:

  • TouchFlow Operation maximizes workflow efficiency
  • 1-knob compression and EQ dial in your ideal sound
  • GainFinder supports precision gain setup
  • QuickPro presets provide instant access to pro sound setups
  • 2 scene memory banks set up and instantly recall your settings
  • 16 D-Pre mic preamps deliver phenomenal sound
  • Onboard effects based on Yamaha's SPX processor
  • TF Editor Mac/PC application offers offline editing and online control
  • TF StageMix iPad application provides wireless control
  • TF MonitorMix iOS application allows for wireless personal monitoring
  • Expansion slot for optional NY64-D card (expands up to 64 inputs and 40 outputs)

Specification:
Outline
TF-RACK
Mixing Capacity
Input Channels
40 (32 mono + 2 stereo + 2 return)
Aux Buses
20 (8 mono + 6 stereo)
Stereo Buses
1
Sub Buses
1
Input channel functions
8 DCA Groups
I/O
Inputs
16 mic/line (XLR/TRS combo) + 1 stereo line (RCA pin)
Outputs
16 (8 XLR + 8 TRS phone)
Expansion slots
1 (for NY64-D)
On-board processors
DSP
8 Effects + 10 GEQ
General specifications
TF-RACK
Sampling frequency rate
Internal
48 kHz
Signal delay
Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz
Fader
Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders
Total harmonic distortion
Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω, INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz)
Frequency response
+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT
Dynamic range
110 dB typ., DA Converter, 108 dB typ., INPUT to OMNI OUT, Input Gain=Min.
Hum & noise level
Equivalent input noise
–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)
Residual output noise
–85 dBu, ST master off (Measured with an A-Weight filter)
Crosstalk
–100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min.
Power requirements
100–240 V 50/60 Hz
Power consumption
85 W
Dimensions
W
480 mm (18-7/8 in)
H
132 mm (5-1/4 in)
D
409 mm (16-1/8 in)
Net weight
9.2 kg (20.3lb)
Accessories
Quick Guide, Power Cord NUENDO LIVE (DAW Software), Rubber stoppers(4)
Options
Audio Interface Card (NY-64D), Foot Switch (FC5)
Others
Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C
Recording/ Playback
PC/Mac (USB2.0)
Recording 34 tracks, Playback 34 tracks
USB Storage Device
Recording 2 tracks (USB hard drive/ SSD)*, Playback 2 tracks (USB hard drive/ SSD/ thumb drive)
*Please note - USB thumb drives are not supported by TF for recording purposes. Please refer to this link for compatible hard drives.
Digital input/output specifications
Terminals
Format
Data length
Audio
Connector
USB (TO HOST)
USB
24bit
34ch input / 34ch output, PCM
USB (B type)
iPad
USB
Playback: MP3 or WAV file data / Record: WAV file data 
USB (A type) 

Control I/O specifications
Terminals
Format
Level
Connector
NETWORK
IEEE802.3
10BASE-T/100Base-TX
RJ-45
FOOT SW
TS Phone 

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